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More Details for CD2202
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Arturo Toscanini

The Complete Concert
14 October 1939
NBC SYMPHONY ORCHESTRA
Franz Schubert (1797-1828)
Richard Strauss (1864-1949)
Franz Joseph Haydn (1732-1809)
Johann Sebastian Bach (1685-1750)


CD Contents

1 Broadcast commentary 1:59
  FRANZ SCHUBERT (1797-1828)  
  Symphony No.8 in B minor, "Unfinished", D.759  
2 Allegro moderato 12:55
3 Andante con moto 11:18
4 Broadcast commentary 0:45
  RICHARD STRAUSS (1864-1949)  
5 Don Juan - Tone Poem after Lenau, op. 20 17:00
6 Broadcast commentary 0:17
  FRANZ JOSEPH HAYDN (1732-1809)  
  Symphony Concertante in B flat Major, op. 84  
7 Allegro 10:00
8 Andante 5:33
9 Allegro 5:11
10 Broadcast commentary 0:50
  JOHANN SEBASTIAN BACH (1685-1750)  
  Passacaglia and Fugue in C minor (Orchestrated by O. Respighi)  
11 Passacaglia 7:25
12 Fugue 5:51

ADD 79.26 Recorded live 14. October 1939 Series Producer: Jonathan Wearn -   Restoration: Richard Caniell, IPRMS, British Columbia, Canada - Series consultant: Keith Hardwick


Reviews for CD 2202 - Toscanini - Concert 14 October 1939

Classical Music on the Net - Friday January 11 2002


Arturo TOSCANINI
SCHUBERT: Symphony No. 8 ‘Unfinished’
STRAUSS: Don Juan
HAYDN: Sinfonia Concertante in Bb
BACH orch. RESPIGHI: Passacaglia and Fugue in C minor


NBC Symphony Orchestra
Arturo Toscanini (conductor)
Recorded live on 14 October 1939


GUILD HISTORICAL CD 2202 [79.26]


This was Toscanini’s third season as Music Director of the NBC Orchestra and this CD is the opening concert recorded in the autumn of 1939 before a select audience in Symphony Hall at Radio City. The recording derives from a collection owned by Richard Blaine Gardner, a recording engineer and editor with whom Toscanini worked at RCA Victor. Copies of these tapes and discs were in turn passed down to Richard Caniell between 1949 and 1983, who subjected them to restorative processes, though retaining both the unfiltered sound and the original acoustics. One can only commend him and his team at Guild for their exemplary and painstaking work, for the result is very fine, and elsewhere in their catalogue music-lovers of an operatic disposition should explore their recent issues of Wagner, Mozart and Mussorgsky also reviewed on this website.


When radio and recordings got into their stride in the 1930s all sorts of prophets of doom began to be heard eliciting hostile cries from musicians afraid of being put out of work. The American Federation of Musicians, the American Society of Composers, Authors and Publishers fretted and warned their members of the threat to careers and demise of the concert. In fact the opposite occurred, for as more homes were equipped with radios, more people listened to symphonic broadcasts, more orchestras then took to the air, and attendance at concerts leaped to an all-time high, especially during the war when entertainment was more vital than ever.


The programme of this concert in many ways typifies the Maestro’s music-making, beginning with the more predictable Schubert and Strauss but followed by a surprising choice of a work by Haydn (though this composer’s symphonies were often found in Toscanini’s programmes) and concluding with Respighi’s tamperings, Stokowski-style, with Bach. Toscanini lingers over his Schubert in a brooding interpretation, whilst sunlight pours into his Haydn. The Sinfonia Concertante may be a comparative rarity but it is always a good work for an orchestra to put four of its principal players under the spotlight. Though unnamed in the booklet they are in fact Robert Bloom (oboe), William Polesi (bassoon), Mischa Mischakoff (violin), and Frank Miller (cello), who did indeed hold their respective chairs as principal players in the NBC Orchestra at the time. Toscanini’s Strauss has clarity in the orchestral playing, rhythmic tension, concentrated sweep of phrasing, burning passion, beauty and tenderness in the love music and power at the climaxes, in short the finest playing that day. Respighi’s somewhat distortedly pompous and over-pretentious, cloying view of the wonderful Passacaglia by Bach is a curiosity, but nothing more.


Whatever one’s view of Toscanini, his podium manner or his music-making, whether his phrasing is at times too breathless or over-expansive, he was a supreme conductor whose concerts preserved as this one has been (and with hopefully more to come) make essential listening.


          Christopher Fifield


Toscanini was a supreme conductor whose concerts preserved as this one has been make essential listening.


Broadcast Argyll FM - Sunday January 05 2002


Good evening. You are tuned to Argyll FM and this is David Heft welcoming listeners to the Sunday evening concert of recorded music and I take this opportunity to wish all our listeners a very happy and prosperous New Year.


To begin this first concert of the New Year, Argyll FM is very proud to be among the first radio stations in the country to present one of Guild Music’s newest releases in their new and prestigious Historic Series of exclusive recordings from Immortal Performances Recorded Music Society. We hear tonight the complete concert which was recorded live on the 14th October 1939 by the National Broadcasting Company Symphony Orchestra under the baton of the great Arturo Toscanini and which has been superbly re-mastered by the Series Producer Jonathan Wearn.


The source of the original recording is derived from the collection of the late Richard Blaine Gardner, Toscanini’s favorite engineer and editor at RCA Victor. Gardner passed on copies and test pressings to Richard Caniell between the years 1949 and 1983 and Caniell subsequently founded the Imortal Performances Recorded Music Society in 1980.


The performances we hear tonight are true to the original and grit or ticks have not been filtered out nor has the re-mastering been subjected to any electronic reverberation. Consequently, the recording does not provide listeners with the kind of silence one has come to expect from present day CD’s. This is an extremely important recording and which Guild Music can justifiably claim as being among the finest in broadcast recordings.


The four works which we are about to hear are; the Symphony No.8 in B minor, the ‘Unfinished’, D.759 by Schubert. The Tone Poem Don Juan, Opus 20, by Richard Strauss. The Symphony Concertante in B flat major, Opus 84, by Haydn and finally Respighi’s rarely heard orchestration of the Passacaglia and Fugue in C minor by Johann Sebastian Bach. The concert is preceded by a brief commentary and further short commentaries between each of the works. Here then is the complete concert given on the 14th October 1939 by Arturo Toscanini and the NBC Symphony Orchestra.


You have just been listening to a complete concert which was first broadcast on the 14th October 1939 by the National Broadcasting Company Symphony Orchestra and conducted by Arturo Toscanini. If any listeners would like details of that recording or indeed any recording played during these Sunday evening concerts, please contact me at the Argyll FM studios here in Campbeltown.


That brings us to the end of tonight’s program and I hope you enjoyed that very recent release from Guild Music’s new Historic Series. In a few moments, Stuart and Kim will be here with Sunday late so please stay tuned. I shall be back with you next Sunday at the same time of 8.00 o’clock and I hope you will join with me then. This is David Heft thanking you for listening and if you have just tuned in, may I extend to you my very best wishes for the New Year. Good night everyone.


          David Heft



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